Women on the Verge of a Nervous Breakdown Review

Women on the Verge of a Nervous Breakdown Review

Women on the Verge of a Nervous Breakdown is a chaotic screwball comedy that examines the nature of gender: its roles, implications, consequences, and cultural stereotypes. Specifically, the theme of the motion picture seems to demonize the machismo mentality of womanizers. In contrast, information technology succors the women who fall prey to the pseudo-charms of womanizers.

From the very start, we are introduced to Ivan: a human being with an bonny yet evasive personality. He is seen walking alongside a group of women, wooing them with trite compliments in what appears to be a television commercial, or pseudo-dream-globe. This scene is very enlightened of itself: it's an expository and visual catalogue that sets upwards not merely the quality of Ivan'due south non-committal graphic symbol, just also establishes a tone that looks down upon the men of the earth who "play" women.

Ironically, the film is directed past a male: Pedro Almodóvar. I felt as though he was trying to explore the reasons behind women'south emotionally nebulous states of mind; not in a manner that criticized women for beingness then confusing to men, but rather in a fashion that was criticizing men for existence and so immoral to women. He took the male stereotype of manliness, exaggerated it within the grapheme of Ivan, then sought to examine the harmful consequences of what Ivan-like personalities can cause upon naïve, sensitive women. In other words, Almodóvar seems to propose that men view women as crazy because they are unable to view themselves as behaving immorally towards them. Though the argument can hold true from the opposite perspective, I call up Almodóvar was fair to identify men in the negative light: it interim as a critique upon his own manliness rather than pointing the arraign upon women. Since he'due south a man, he can't actually be accused of being chauvinistic.

The women in the motion-picture show are having, as the title suggests, nervous breakdowns due to immoral men— two of which whose lives are negatively afflicted by Ivan's womanizing (Pepa and lunatic Lucia). Pepa'southward and Lucia's maudlin behavior consequently affects (for worst) the lives of those around them. For instance, Pepa wasn't beingness charitable towards her suicidal friend, Candela, because she was too wrapped up in her ain agitated listen apropos Ivan. These women are shown doing absurd things in order to justify their injure feelings from poor relationships: burning beds, overdosing on sleeping pills, attempting suicide, holding each other at gun indicate, etc. As I questioned why they were doing all of these crazy things, my heed always came dorsum to the same reply: all of their behavior was a reaction to a homo'due south infidelity and non-commitment.

Granted that the women in the story had freewill and did not take to react then irrationally, it didn't aid much that their emotions were being toyed with by ambivalent men. A more refined theme can now be extracted from the film: poor relationships spring from poor morality, and poor morality comes because of greed. Consider Antonio Bandera'southward character. He's in a relationship with a somewhat decision-making adult female, who, when she gets drugged upwards, he leaves her for Candela because she'south new, fresh. This thought plays off the difficulty of transient relationships: they start of peppery and passionate, but accident out too before long because of colorlessness and non-delivery. When given the chance to conduct immorally, Bandera'south character leaps at the chance. He selfishly desires the feelings of honey, but not the work it takes to institute a real loving and lasting relationship.

Almodóvar exaggerates the film aesthetic-await to assistance convey these themes. Pastel colored walls, flamboyant costumes/apparel, all-encompassing ready-design of plants, and over-the-top acting/stunts creates an temper of hyper-stress and defoliation. All these elements act equally outward physical manifestations of the inner-turmoil he'southward trying to limited regarding male-female person relationships. Relationships are chaotic and screwball. They often create stress and confusion. In "normal" relationships outside the movies, the tensions that Almodóvar presents in his film regarding male and females are often experienced in more subtle ways. Instead of committing suicide over troubled relationships, we might gossip with the person adjacent to us as to why we don't like whomever (though, indeed, many suicides have resulted from poor relationships).

Almodóvar just exaggerates common problems real in these types of relationships in society to provoke how we feel inside when existence tortured by a man or adult female. In context of the movie, though, I experience that women volition place this film as a work of justice; one that slams upon men who ought to know better. For men, this moving-picture show is a learning tool of why not to give mixed signals, let lone comport immorally—by doing so they simply confuse the female species even further. I wonder what this flick would take been like if directed past a adult female: I'll assume the reverse would hold truthful of degrading women rather than men.

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